Our website: https://www.captalavie.com Patreon: https://www.patreon.com/captalavie Our next Livestream will be Sunday the 25th of July! It's time to come together with all of you again and enjoy some live performances from our Capta laVie Studio! This time we have performances by the Beehive Collective, Ivy Lemos, Viola Esmeralda Grappiolo & Talha Eren! Support our Crowdfunding Campaign to finance the growth of the Capta laVie Studio: https://www.gofundme.com/f/interdisciplinary-creation-artist-hub-rotterdam Beehive Collective https://www.youtube.com/watch?v=2YKeqObce-Q&list=PLDtHKFm1bWdcFVEucavEHjVHRoF3lRoSr https://www.instagram.com/beehivecollectiv/ Ivy Lemos https://www.ivylemos.com/ Viola Esmeralda Grappiolo https://www.youtube.com/watch?v=d7wxbzw5EZA&t https://www.instagram.com/viola.esmeralda/ Talha Eren https://www.instagram.com/tallhaeren/

The magnetic pull towards the depth of the earth and the magnetic attraction of the waters of my body towards the moon the magnetic pull between one another the magnetic attraction and rejection of the atoms and of the electrons Matter was perceived as passive And time was Absolute space and absolute time I don’t know if living like a blessed flower in the chaotic unfolding of the universe or if fighting the starless night with sward and blood. Noise resonating through space, on the skin and inside the body. Like the flame of the candle moved by the sound waves of the music travelling through the air. Waves in the cosmic disorder HOW CONSCIOUS AND AWARE ARE WE OF THE UNFOLDING PROCESS EVERY PERSON IS GOING THROUGH? AND HOW MUCH OR HOW LITTLE WE KNOW OF THE PROCESS WE ARE EXPERIENCING AND LIVING? WHY DO WE KEEP ON DOING WHAT WE DO NO MATTER THE PAIN AND THE DESTRUCTION IT GENERATES? HOW DID WE GET HERE? HOW ARE WE WHO WE ARE? MUSIC BY C00 https://soundcloud.com/weirdesthetic

Grasp|Concrete, is a reflection on our current existential condition between nature and urbanisation, between grass and concrete. It is a research that aims to find the fine line in between opposites, because a polarised vision cannot bear the complexity of life within and around. We are questioning our generation's state in these massive cities we are building, and what it's doing to us? The relations of industrial and organic concepts and the connection to the body. We are questioning the relation body-space, the intimacy and the boundaries of the surroundings. It is an observation of the flux of information from within to without and the understanding of the reactions within triggered by an external input. It is about confidence, exposure, intimacy, exchange, observation, action and reaction.

GRASP CONCRETE is our new research on the soul of the places We are aiming to go from GRASPING to UNDERSTANDING the sourranding through intimate observation.

what happens when I am present somewhere so different from myself? nice to meet you place, I am enchanted and delighted. You are so special, and together we are never seen before ever in love doing what feels comfortable when the circumstances are unknown? not doing? or?

nothing special, ordinary aaaa I already forgot that it was me not a tiger not a tree not a leaf holding with all the possible strength to not give into the winter law saying that all the leaves must fall must die, not the evergreens but me surrounded by trillions of raindrops

how meaningful how heart felt how truthful how pretentious how confronting it is to remember the forgotten?

between choreography and improvisation

BESETZUNG Choreografie und Bühne: Giuseppe Spota Musikalische Leitung: Hermann Bäumer Musik: Anna Þorvaldsdóttir, Bruno Moretti, Michael Gordon Kostüme: Stefanie Krimmel Lichtdesign und Special Effects: Avi Yona Bueno „Bambi“ Videodesign: Zachary Chant/ De-Da Productions Choreografische Assistenz: Fabio Liberti Tänzerinnen: Noemi Calzavara, Cristel de Frankrijker, Madeline Harms, Bojana Mitrović, Amber Pansters, Tijana Prendović, Marija Slavec, Milena Wiese Tänzer: Tristan El Mouktafi, Finn Lakeberg, Dominic McAinsh, Sándor Petrovics, Jorge Soler Bastida, Thomas Van Praet Philharmonisches Staatsorchester Mainz